中国最大胆民族，女人只穿两片布，男人接受妻子婚前会情人！

中国最大胆民族，女人只穿两片布，男人接受妻子婚前会情人！

The women you see now only wear two pieces of cloth on their upper bodies, with the sides completely hollowed out, and nothing underneath. When they bend over to work, their upper bodies are exposed, but no one in the village will look at them strangely. This will definitely leave you stunned, because here, this seemingly “bold” dress is actually the highest respect for women. What’s even more shocking is that this mysterious ethnic group actually hides a secret world that modern civilization cannot understand. The dead must be kept in the house for a full six months, and the whole family walks on the corpse and lives a normal life. In ancient times, there were even terrifying legends about sharing the flesh of relatives. But the most subversive thing is yet to come. In this seemingly conservative ancient ethnic group, men must accept that their wives say goodbye to their ex-lovers for eight hours on the wedding day , and they cannot have any dissatisfaction , otherwise they will… Accused by the whole village of being “narrow-minded”, this ethnic group, which has lived in seclusion in the deep mountains and dense forests of Guangxi and Guizhou for more than 2,000 years , has always been regarded as a lost ethnic group by the outside world. It was not until 1980 that Xinhua News Agency reporters accidentally discovered their existence during an interview. This allowed the world to see for the first time this living fossil ethnic group that directly stepped into modern civilization from primitive society . They are China’s most peculiar ethnic group, the Baiku Yao . In the Yao language, the “Baiku Yao” call themselves “Bunu”, which means people who came from ancient times. How many unknown and mysterious customs do they still hide ? “Lihu” means “a paradise in the mountains” in the Yao language. Lihu Yao Ethnic Township in Nandan County, Guangxi is one of the main settlements of the Baiku Yao. It is surrounded by mountains and peaks. A tributary of the Lancang River winds through the mountains. The river meanders through this ancient land, nourishing it . Thousand-year-old trees and mysterious tall trees grow here, and the mountains are shrouded in mist, like a fairyland on earth. When you first step into the Baiku Yao village, the scene before your eyes will definitely shock you. The women here wear a kind of clothing that seems incredible to outsiders. Their tops really only have two pieces of cloth. This clothing, called “Two-Piece Yao”, has only two pieces of cloth on the upper body, front and back, no collar, no sleeves , no buttons under the arms , and the sides are completely open. The most surprising thing is that according to the traditional way of wearing it, nothing is worn inside, no bra , no underwear, it is a completely empty state. In the tradition of the Baiku Yao, this way of dressing has continued for hundreds of years. Until around 1995, local women still followed The traditional way of dressing is to wear nothing underneath. A local woman recalled that she didn’t start wearing clothes underneath until she was 11 years old. Before that, it was the traditional way of dressing. Now, this traditional way of dressing is changing. Young women in white pants waists are influenced by modern culture and start wearing underwear under the two pieces of cloth. However, in some remote villages, especially women over 60 years old, the traditional way of dressing still maintains this seemingly “revealing” clothing design, which is the most natural daily dress in the local area. The women of Baiku Yao wear such clothing to work and live in the village without any shyness. People around them are used to it. Even if others stare at them, they just think it’s nothing, just like looking at their faces, arms and legs. What’s more interesting is that this kind of clothing is seasonal. In winter, women wear relatively conservative winter clothes , while in summer , they change into the cooler “two-piece Yao” to adapt to the hot mountain climate. However, behind this seemingly “bold” dress lies an unexpected cultural code. This clothing, called “two-piece Yao”, actually holds a secret. The pure black cloth in the front is not sewn casually. It represents the unknown journey of life. You never know what you will encounter on the road ahead, so black is used to symbolize the mysterious future . The cloth in the back is completely different. It is embroidered with intricate and exquisite patterns. It is the legendary “Yao King Seal”. The origin of this Yao King Seal is quite legendary. In ancient times, there was a Yao King who was so powerful that the emperor had to give him face and gave him a special seal. The seal was stolen by villains, and the Yao king lost his seal , unable to mobilize his troops, and ultimately died on the battlefield. To commemorate him, Yao women embroidered this mark on the back of their clothes, meaning that no matter where they go , they will be blessed by their ancestors and will always find their way home. But the most important cultural connotation is the astonishing concept embodied in this clothing. In the eyes of the Baiku Yao, women’s breasts are the most sacred thing in the world. They believe that breasts are the source of life , the sacred place for nurturing the next generation , and the symbol of maternal power . Because of this sacredness , they must be displayed so that heaven and earth can witness the greatness of women. This “revealing” clothing that makes men’s blood boil is actually the highest respect for women. While city dwellers spend thousands of yuan on designer underwear to pursue fashion, women here regard not wearing underwear as a priority. The highest virtue in their culture is that the more you conceal yourself, the more disrespectful you are to women ; the more you show yourself openly, the more you worship motherhood. This subversive concept completely breaks our understanding of conservatism and openness. But if you think that the clothes alone are shocking enough, then you are too naive. What is even more incomprehensible is their concept of love and marriage. This ancient ethnic group, which seems traditional and conservative on the surface, is so open in terms of relationships between men and women that modern people would feel ashamed. In the villages of the Baiku Yao people, you will see a unique and strange phenomenon that is unique to the outside world. Here, love is completely a world of “women chasing men”, which is completely contrary to the traditional concept we are familiar with. The girls of the Baiku Yao people occupy an absolute dominant position in relationships. When a girl takes a fancy to… When she sees a boy, she will not hesitate to take the initiative and suddenly snatch his belt, headscarf or other personal belongings while he is not paying attention, and then run away. This is not a prank , but the unique “tentative confession” of the Baiku Yao people. If the boy is also interested in the girl , he will follow slowly. If he is not interested, he will pretend nothing happened. This method not only avoids the embarrassment of direct confession, but also gives both parties ample room for choice. What’s more interesting is that in the tradition of the Baiku Yao people, women not only dominate in the pursuit stage, but also in the entire process of love. The pattern is “women are strong and men are weak”. Girls can date multiple boys at the same time , change their minds at any time , and dominate the progress of the relationship, while boys can only passively accept and have no say at all. However What’s even more shocking is yet to come The Baiku Yao people have a custom that will absolutely overturn all your notions of marital fidelity. On their wedding day, the bride is allowed to say goodbye to her ex-boyfriends for eight hours. ( You heard that correctly : From 8 a.m. to 4 p.m. on the wedding day , the bride has eight hours of free time to say a final goodbye to her former lover .) During these eight hours, the groom and no one else can interfere , question , or even express dissatisfaction. This custom is called the “lover’s farewell ceremony” by the Baiku Yao. Traditionally, girls often have one or more lovers before marriage, which is completely normal and accepted in their culture. However, marriage means starting a new life, so a complete farewell to the past is necessary. During these eight hours, the bride, dressed in her lavish attire, will have a final, in-depth conversation with her ex-lover. They will reminisce about the good times and wish each other well for their future lives . Then, they will formally say goodbye as the sun sets. Sometimes, this farewell even includes a final, intimate touch, which is understandable in the eyes of the Baiku Yao, as it truly is the “last time.” Even more shocking is that Baiku Yao men are not only expected to accept this custom , but also to show tolerance and understanding. If a groom becomes jealous or loses his temper because his wife is seeing her ex-boyfriend , he will be accused by the entire village of being “narrow-minded” and “ignorant.” “Not worthy of being a husband” This seemingly incredible tolerance has a profound cultural logic. The Baiku Yao people believe that true love should be tolerant and understanding rather than possessive and controlling. If a man cannot even accept his wife saying goodbye to the past, then he is not worthy of having this woman’s future. However, the most incredible thing is that in modern society, the divorce rate is as high as 30%. Today, this ethnic group that allows brides to meet their lovers 8 hours before the wedding has a divorce rate close to zero. In Baiku Yao villages, quarrels between couples are extremely rare, and divorce is rare for decades. Their marriages are harmonious and stable, the couples love each other, and the family atmosphere is warm and harmonious. This phenomenon is simply an incredible miracle in the face of the high divorce rate in modern society . Even more heartwarming scenes are often staged in the villages. When a man gets drunk and passes out on the roadside, his wife does not scold or complain , but quietly brings her needlework and sits beside her husband , working and guarding him until he sobers up and they go home together. This kind of warm scene has moved many modern couples. The harmony of Baiku Yao marriages is largely due to their “tolerance” and “understanding.” ” They believe that since they have chosen to be together , they should accept everything about each other, including the past , present and future. This complete acceptance eliminates secrets and grudges between couples, and naturally deepens their relationship. In addition, the Baiku Yao people have an iron rule: never marry outside the tribe. They insist on intermarriage within the tribe , believing that only people of the same tribe can truly understand each other ‘s culture and values. This purity of blood also guarantees the stability of marriage to a certain extent. If you think that the unique customs of the Baiku Yao people only stop there, then you underestimate this mysterious ethnic group. Their funeral customs hide even more horrifying secrets. The dead are kept at home for six months , and in ancient times they even had the terrifying legend of cannibalizing the dead’s flesh. Are you ready for a shock? In Huaili Village, Lihu Township, Nandan County, Guangxi , a 72-year-old man died, and his family buried him in the basement of their main hall. That’s right , the house where the whole family lived every day. The family ate, slept, chatted, and watched TV as usual , with the deceased man lying at their feet. This horrifying scene is common in Baiku Yao villages. The coffin of the deceased is buried directly in the main hall. The family walked on this ” floor ” for six months, living a normal life. Imagine walking on the corpses of your loved ones every day, and knowing that there are dead people under your feet when you go to bed at night. This psychological impact is huge. But for the Baiku Yao people , this is the most natural thing. They believe that the dead have just entered another state of rest and the soul has not really left. Instead, it needs to continue to “accompany” the family at home for a period of time until the right time to truly rest. This custom is called “secondary burial”. The first time is to bury the dead at home, and the second time is the formal burial. Why wait for six months? Because the Baiku Yao people strictly follow the natural law of “spring for birth, summer for growth, autumn for harvest, and winter for storage”. They believe that spring and summer are the seasons for all things to grow. It is not appropriate to bury the dead at this time. Only in the “collection” season of winter can the dead be truly buried. Six months later, when winter comes, the Baiku Yao people will hold a shocking ceremony to slaughter cattle for sacrifice. In the open space of the village, two strong bulls are tied to wooden stakes. They don’t know the fate they are about to face. The villagers stand in a circle with expressions on their faces. Everyone waits solemnly for the ceremony to begin. Then the uncle of the deceased will walk towards the first cow with a seven-foot-long cow-chopping knife. The scene that follows makes everyone hold their breath. The uncle raises the knife and slashes at the back of the cow’s neck. But the strange thing is that he cannot kill it with one blow. Instead, he must chop it in odd numbers: three, five, seven, nine, and never in even numbers . Each blow carries the Baiku Yao people’s respect for the deceased and their adherence to ancient traditions. The cry of the cow echoes in the valley, witnessing the most sacred farewell ceremony of this nation. But what is puzzling is why the uncle must chop the cow . In the tradition of the Baiku Yao people, the maternal uncle holds a crucial position. Only the uncle is qualified to perform this sacred and bloody ritual. The uncle represents the authority of the maternal lineage, and only the ox he slaughters can truly pave the way for the deceased. After the ox is slaughtered, its horns are placed on specially made wooden stakes , forming a totem-like existence and placed next to the deceased’s grave. These horns represent the family’s wealth and respect for the deceased . The more oxen slaughtered , the wealthier the family is and the greater their filial piety towards the deceased. However , the most horrifying thing is not the slaughter of the oxen , but the horrific history hidden behind this ritual. The legend goes that in ancient times, when someone of the Baiku Yao tribe died, the tribe would divide and eat the body of the deceased. This was not a barbaric act of cannibalism, but rather they believed that this way the strength and wisdom of the deceased could be passed on to the living. Legend has it that a child could not bear to see his tribesmen divide and eat his recently deceased mother, so he ran to the tribe leader and begged him. The tribe leader was moved by the child’s filial piety and agreed to use beef instead of human flesh for the ceremony. From then on, the beef was cut up and shared, replacing the ancient horrific tradition of cannibalism. This legend explains why the cattle-cutting ceremony is so important , and why it must be performed by the uncle, who is the only one who can decide what to do with the “body” of the deceased. The current cattle-cutting ceremony is actually a civilized evolution of the ancient cannibalistic burial custom. The carefully cut beef will be distributed to everyone in a shocking feast. The villagers will be busy preparing a long table banquet. Dozens of long wooden boards will be carried to the open space at the entrance of the village and connected one by one, eventually forming a giant line stretching over 100 meters. Looking down from above, the long table looked like a giant wooden dragon entwined in the valley. The scene was extremely spectacular . After the table was set, the women in the village began to spread the tablecloth. These were not ordinary tablecloths , but fresh banana leaves picked from the mountains. The emerald green banana leaves were neatly spread on the wooden boards, exuding a delicate fragrance. This was the most original “tableware” of the Baiku Yao people. Soon, steaming hot beef was served on the table. In addition to the beef , the table was also filled with the Baiku Yao’s special five-color glutinous rice . The five colors of red, yellow , blue , white , and purple
sparkled in the sun, as beautiful as a rainbow. However, the most shocking thing was not the food. The order of dining was not the only thing . When hundreds of people stood around the long table, a scene that modern people could not understand appeared. Some men, regardless of age, consciously stood on the periphery of the table , while women and children sat directly at the main seats at the table. This dining etiquette of “women are superior to men” perfectly reflects the matriarchal society of the Baiku Yao people. Men were not only not allowed to grab seats but also had to serve women and children respectfully until they were full. Only then could men sit at the table. The whole long table banquet lasted for several hours. Hundreds of people dined together among the green mountains and clear waters. The scene was both spectacular and harmonious . The most important thing is that everyone must eat the beef they receive on the spot and cannot take it away. The Baiku Yao people believe that only by “sharing” the offerings of the deceased on the spot can they truly obtain the blessings and power of the deceased. The bloody cattle-cutting ceremony of the Baiku Yao people today is actually a “mild version” of the ancient horrific custom of sharing the flesh of the dead . This evolution from cannibalism to cattle-cutting shows the trajectory of human civilization’s progress while also preserving the mysterious core of the ancient ritual. If you think these are mysterious enough, then you have not yet seen the most magical side of the Baiku Yao people. In their village there is a plant called the “sacred tree”, as well as a mysterious bronze drum worth 5,500 yuan each and ancient skills passed down for thousands of years. What secrets are hidden behind these cultural treasures? Around the Baiku Yao village grows a magical plant that even scientists are puzzled – the sticky tall tree. The shape of this tree is extremely strange. The lower half is unusually thick, but it is very thin at the top . The whole tree is riddled with holes and looks like a huge honeycomb . The most amazing thing is that the more you cut it , the thicker it grows. And when cutting a tree, you must never look up, otherwise the tree will die the following year. Even more incredible is the sticky tall tree. The trees can only grow in areas where the Baiku Yao live; if they move elsewhere, they will die. The more Baiku Yao people gather, the more luxuriant the sago trees grow. The milky white sap that flows from these magical trees is a crucial dye used in the Baiku Yao’s traditional clothing. 58-year-old Xie Chunyan is a recognized expert weaver in the village. Every summer, she goes up the mountain to “cut the paste,” melting the sap from the sago trees and mixing it with butter to create a special batik dye. A complete Baiku Yao costume requires more than 30 steps and takes a full year to complete. In the Baiku Yao, a girl who can’t make clothes can’t get married. The origin of the name of the “White Pants Yao” is also closely related to these clothes, because the men here wear pure white thin pants all year round, and there are 5 red lines embroidered on the trouser legs, which symbolize the bloody handprints left by the Yao King during the battle. It is this iconic white pants that makes the outside world call them the “White Pants Yao”. The White Pants Yao have another shocking tradition. An authentic White Pants Yao bronze drum can be sold for up to 5,500 yuan. This price is an astronomical figure for ordinary families. Many families cannot afford it and can only share one to make one. The gap between the rich and the poor is obvious. What’s more amazing is that bronze drums are divided into “male and female”. The sound of male bronze drums is sharp, while the sound of female bronze drums is deep. Each side has its own “name”. When someone dies, the bronze drum becomes a sacred public performance to pave the way for the soul of the deceased . At the funeral of a rich family, more than a dozen bronze drums sounded together. The poor family could only borrow one or two. Even the “treatment” after death was greatly different depending on the number of bronze drums. In addition to these expensive cultural symbols, the Baiku Yao people also have a more “down-to-earth” survival skill – the mouse catching skill. 62-year-old He Guangbin is recognized as the “rat catching king” in the village. He took the 12-year-old Xiaochuan to the mountain to set traps. Among the Baiku Yao people, mouse catching is not a small skill but a lifelong one. Every man must master the survival skills. He Guangbin set up a dragnet on both sides of the mountain road. 28 exquisite bamboo mousetraps, each placed on the mousepath where mice often appear. These mousetraps look simple, but they are actually equipped with a hidden mechanism . A small bamboo nail is the key position. If it is slightly off, the mouse will not be caught. Overnight, 28 traps actually caught more than a dozen fat mountain mice, each weighing half a pound. In the tradition of the Baiku Yao people, mouse catching skills are directly related to a man’s “face”. Men who can catch mice are highly respected in the village, while those who can’t are looked down upon. However, what is even more shocking is the Baiku Yao people’s “mysterious love” for mouse meat. In their culture, mouse meat is a premium delicacy for entertaining guests. If there is no mouse meat at home to entertain guests, the son will not be able to find a wife. This is no joke. In the marriage customs of the Baiku Yao people, When the girl’s parents come to the boy’s house for a blind date, the first thing they do is to see what the boy can offer as a treat. If there is not even rat meat, the girl’s parents will think that the man is lazy and incompetent and not worthy of marrying their daughter. The status of mountain rat meat even exceeds that of pork and chicken because mountain rats are purely wild, growing up on all kinds of grass, and their meat is particularly delicious. The Baiku Yao people have many ways to eat rat meat . Fresh rat meat can be roasted and eaten, which is fragrant and tender. The more rat meat can be made into rat jerky and preserved as a precious food in winter. The family with the most rat jerky in the village is considered the most hardworking and has the highest status in the village. The men often get together to compare their respective rat-catching results, exchange rat-catching techniques , and even hold rat-catching competitions. Interestingly, the Baiku Yao people have a very contradictory attitude towards rats. On the one hand, they try their best to catch mountain rats as delicacies, and on the other hand, they have to strictly prevent domestic rats from stealing food. The river warehouse they designed is a masterpiece of rat-proofing. The upper and middle parts of the four pillars of the river warehouse are each covered with a smooth pottery pot. When a rat climbs into the pot, it will slide down and cannot climb up. This design is both simple and practical. In addition to catching mice, He Guangbin has another amazing skill. He is the village’s “Spinning Top King.” He can make the spinning top spin freely on his fingers, insteps, chin, forehead , and even jump between five fingers. This thousand-year-old skill has been passed down from generation to generation among the Baiku Yao people and is an important way for men to demonstrate their skills. However, just as we are immersed in the charm of these magical memories, a more serious reality lies before us. This ancient ethnic group is facing an unprecedented impact of modernization. In 1980, when Xinhua News Agency reporters first stepped into the Baiku Yao village, they were shocked by the scene before them. The people here live a life that is almost the same as primitive life. They lived in thatched huts and slept on kangs, without electricity, roads , or even decent clothes. The government immediately launched a poverty alleviation and relocation plan, relocating the Baiku Yao people from the deep mountains and old forests in four batches . This ethnic group, which went directly from primitive society to modern society, experienced a rare leap in civilization in human history in just 40 years. However, this leapfrog development also brought unexpected cultural costs. Walking into the Baiku Yao village today, a shocking number lay before us: there were only three students left in the sixth grade of the village primary school. The entire primary school, from first to sixth grade, had a total of only 50-60 students. What does this mean? It means that most of the children followed their parents to the city and stayed there . The village is mostly populated by elderly people and a few children. Even more worrying is that the remaining children speak only Chinese, not the Yao language. The Yao language, passed down for millennia, is disappearing at an alarming rate . The vast amount of traditional cultural information, ancient legends, and ancestral wisdom contained within it are in danger of being completely lost. When someone asked He Guangbin if he would pass on his memory of spinning tops to the next generation, this always-smiling old man revealed a worried expression. Young people today aren’t interested in them; they consider them “rustic toys.” Very few young people in the village can play with spinning tops. I’m afraid my skills will be lost. Other inheritors of traditional skills share the same concern . Weaving masters like Xie Chunyan are worried. It is said that young girls prefer to buy ready-made clothes, and few are willing to spend a year learning to make Yao clothing . Who will make authentic Yao clothing after our generation is gone ? The changes in traditional clothing are even more obvious. Today’s young Baiku Yao women have begun to wear modern underwear under their “two-piece Yao”. Although it conforms to the requirements of modern civilization , it also means that the most primitive and pure traditions are quietly changing. The conflict between ancient customs and modern civilization is reflected in all aspects. Young people are beginning to question traditional practices. Why do they keep the dead at home for 6 months ? Why do they spend huge sums of money to buy bronze drums ? Why do they maintain those “backward” customs? These traditions that the older generation considers sacred and inviolable are no longer being questioned by young people. In the eyes of ordinary people, it seems out of place. However, time waits for no one, and precious cultural memories are lost every day. The elderly who speak the Yao language, the craftsmen who master traditional skills, are like living cultural treasures. Once they pass away , it means that the priceless cultural wealth will be lost forever. Faced with this dilemma, some knowledgeable people have begun to strive to find a balance and use modern technology to record traditional culture. However, whether this “museum-style” protection can truly prolong the vitality of culture remains unknown. The story of the White-Pants Yao people is not only the fate of a nation, but also the common challenge facing the cultural diversity of mankind as a whole. When we look back at the story of the White-Pants Yao people, this mysterious ethnic group, we can’t help but sigh at the wonder and complexity of human civilization. Customs that seem “unbelievable” to outsiders are the most sacred traditions in their eyes. Concepts that modern people find “incomprehensible” are precious wisdom passed down by their ancestors to them. Perhaps what is truly worthy of our reflection is not the “strangeness” of these customs, but how we can understand different cultures with a more open mind. The Baiku Yao people have interpreted the concepts of love, respect, and life and death in their own unique way. Their tolerance makes modern people ashamed, and their harmony makes civilized society reflect. In this increasingly dominated world, the Baiku Yao people are like a mirror reflecting the infinite possibilities of human culture. They remind us that the world is inherently diverse, beautiful, and full of surprises. Every culture has its own reason for existence and value, and deserves to be understood and respected. Perhaps when we learn to view the world with the same tolerance as the Baiku Yao people, the world will become a better place. Just as they can accept a bride saying goodbye to her lover before the wedding, we should also learn to accept and appreciate the diversity of the world. This is the most precious gift the Baiku Yao people have brought us: an inclusive and open heart. If you are interested in the story of this mysterious people, please share your thoughts in the comment section. How do you think modern society should treat these traditional cultures? Don’t forget to like, follow, and share. We will continue to explore the world’s lesser-known mysteries in the next issue.

🌕🌕【本期简介】🌕🌕
在中国广西与贵州交界的群山深处，还生活着一个被称为“活化石”的民族——白裤瑶族。

他们的女人只穿两片白布，男人必须接受新娘婚前与情人的最后告别。
他们相信死亡不是终结，而是另一种延续；
他们的长桌宴、捕鼠宴、牛祭，都承载着古老的信仰与禁忌。

为什么在21世纪的今天，他们依然能守住这些习俗？
这种近乎“原始社会”的生活方式，又究竟意味着什么？

本期视频，我们将走进白裤瑶：
看独特的服饰与婚俗，如何折射出族群的尊重与平等；
看古老的祭祀与葬礼，如何保存着千年的仪式感；
看这个神秘民族，在现代化与传统之间，如何找到生存的平衡。

这一期，是一场关于文化、禁忌与人性的探索。你准备好了吗？

★☆★章节时间轴☆★☆
00:00 – 中国南方的神秘民族
01:39 – 女人只穿两片布
06:05 – 特殊的结婚习俗
09:12 – 与逝者度过6个月
14:57 – 奇怪的传统
16:57 – 吃鼠的民族
21:00 – 时代的变化

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🔔 打开小铃铛，不错过任何一期精彩内容！

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🔥 相关影片（强烈建议继续观看）：

▶️ 一妻多夫的民族现实生活

▶️ 中印边境神秘民族

▶️ 贵州深山民族：5000年前后裔的遗孙

▶️ 中国未识别民族｜生活实录 播放列表

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💬 你听说过白裤瑶族吗？
你觉得这些习俗是应该保留，还是应该改变？
欢迎在评论区留言，分享你的想法！

🙏 感谢观看，期待下期与你再见！

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